Plattegrond van Bergen (Mons) en zijn omgeving by Anonymous

Plattegrond van Bergen (Mons) en zijn omgeving 1746

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drawing, ink, engraving

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drawing

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baroque

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pen drawing

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pen sketch

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ink

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15_18th-century

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cityscape

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engraving

Dimensions: height 455 mm, width 678 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is an anonymous engraving from 1746, "Plattegrond van Bergen (Mons) en zijn omgeving"—a map of Mons and its surroundings. It's incredibly detailed, and I'm immediately drawn to the way the land seems to be captured. What strikes you about it? Curator: Looking at this through a materialist lens, I’m interested in the production of this object. Consider the labor involved in creating such a detailed engraving. How many hands contributed to its making? We must acknowledge the engraver's skill in manipulating metal and ink to translate geography onto paper. Editor: That’s a good point. It’s easy to forget the labor involved when we see the finished product. Were these maps widely accessible? Curator: No, they would likely have been commissioned for specific purposes, military or administrative perhaps. Consider the resources needed: the paper itself, the specialized tools, the access to geographic information. This wasn't mass-produced ephemera; it's a deliberate material intervention into how the city and surrounding area was understood and used. Who benefitted from having this kind of knowledge visualized in this way? Editor: So, understanding its production also helps understand its purpose. It wasn't just decorative; it had a function rooted in power and control. Do you think its Baroque style relates to these material circumstances? Curator: The Baroque style, with its emphasis on detail and grandeur, would add value and authority to the information conveyed. Think of it as a form of material and symbolic enhancement. It suggests both accuracy and importance, fitting for something potentially used for military strategy or urban planning. Now, how does this material analysis change your initial impression? Editor: I initially saw it as a historical artifact, but thinking about the labor and resources involved and its potential use changes that. It is a powerful document shaping social dynamics. Thank you for highlighting all that. Curator: My pleasure. Considering art's material and the processes provides powerful insights.

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