Kaart van de omgeving van Straatsburg, ca. 1693-1696 by Anonymous

Kaart van de omgeving van Straatsburg, ca. 1693-1696 1693 - 1696

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drawing, print, paper, ink, engraving

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drawing

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baroque

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print

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landscape

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paper

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ink

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geometric

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cityscape

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engraving

Dimensions: height 228 mm, width 288 mm

Copyright: Rijks Museum: Open Domain

Curator: This work, currently held at the Rijksmuseum, is a map titled "Kaart van de omgeving van Straatsburg, ca. 1693-1696." It is rendered with ink on paper using engraving techniques, typical of the Baroque style. Editor: It's incredibly detailed; almost obsessive in its linework. I find the density of marks calming, but I wonder about the original intended purpose beyond mere representation. Curator: The rigorous, almost geometric arrangement suggests a keen interest in precise representation of space. Notice the delicate shading achieved through hatching and cross-hatching – purely formal qualities that create depth and volume, despite the two-dimensionality. Editor: Looking at this through a historical lens, one can speculate about its political implications. The act of mapping, defining borders, delineating settlements, all serve to assert a certain kind of power and control over a region, wouldn't you agree? Curator: Undoubtedly. And further, the aesthetic choices speak to a certain sensibility, of Enlightenment rationality trying to order and categorize the world. Look how line and form create hierarchies: settlements differ through symbol, line weights designate primary roads. Editor: Right. Also, it reminds me of how landscape painting rose in prominence around this time—a reflection of evolving socio-political landscapes and the increasing value placed on land ownership and control. The engraver has certainly framed the cityscape in very precise strokes! Curator: It's interesting to observe how the very constraints of the medium – the reliance on line and shading – end up accentuating form in this image, even more so than color might have. This heightens our attention on details. Editor: Indeed, while seemingly objective, the map carries so many latent political, aesthetic, and even psychological dimensions—all etched onto this relatively small piece of paper. Curator: Examining its geometric underpinning and how line determines visual space truly makes me appreciate its artistic construction beyond mere geography. Editor: And understanding its historical moment reveals how even the seemingly most practical visual aids serve as potent artifacts, shaping not only physical territory, but also political ideology and societal ambition.

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