Madonna and Child with Saints Jerome, Bernardino, John the Baptist, and Anthony of Padua and Two Angels 1462 - 1473

Sano di Pietro created this panel painting of Madonna and Child surrounded by saints using tempera and gold on wood. Notice how the composition is structured around a central vertical axis, reinforcing a sense of balance and order, which was typical of the early Renaissance. Gold leaf dominates the background, an element that denies depth and emphasizes the symbolic over the real. The figures are arranged in tiers, with the Madonna and Child at the forefront, surrounded by saints. The artist uses hierarchical scale, rendering the Madonna larger, which signifies her spiritual importance. The deliberate use of colour creates a visual hierarchy. Notice the contrast between the Madonna’s dark robe and the brighter colors worn by the Christ Child, drawing our eye to them as the focal point. The symmetry, use of gold, and carefully balanced color palette underscore the painting’s function as an object of devotion, reflecting the cultural and religious values of its time. These formal choices guide how the viewer perceives and understands the spiritual message embedded in the work.