Dimensions: 245 x 420 x 285 as displayed weight 1.8kg
Copyright: © Estate of Paul Neagu | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: So, here we have Paul Neagu's "(White) Tactile Object with Hinges." Editor: Well, isn't it intriguing? It feels like a deconstructed puzzle or some odd little altar. Curator: Neagu was fascinated by the idea of "hyphen," that in-between space. Look at how the two halves are joined by hinges, suggesting connection and separation. Editor: I see that, and I'm drawn to the wood itself – the texture, those small holes that punctuate the surface…it’s almost like braille, begging to be touched. Curator: Absolutely! It’s very tactile. Neagu aimed to engage multiple senses. It invites a kind of meditative exploration. Editor: Right, a material conversation, if you will. It's unassuming but full of potential, like a secret waiting to be unfolded. Curator: Precisely, a humble object holding layers of meaning. Editor: I'll carry that image with me.
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http://www.tate.org.uk/art/artworks/neagu-white-tactile-object-with-hinges-t07758
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Both Palpable Object and (White) Tactile Object with Hinges contain hinged or moveable parts which were originally intended to be manipulated by the spectator. Neagu's aim was to offer a multi-sensory experience, extending beyond the purely visual. Neagu was convinced that ‘you can take things in better, more completely, with your ten fingers, pores and mucous membranes than with only two eyes‘. He continued to make tactile and palpable objects throughout the early 1970s. Gallery label, May 2003