Narumi stofpatronen, deel vijf 1883

Curator: Today, we’re looking at "Narumi Fabric Patterns, Part Five" a woodblock print created in 1883 by Odagiri Shunko. You can find it here at the Rijksmuseum. Editor: Huh. At first glance, it kind of looks like a delicate children’s book cover. A bit faded and whispery, but I like the almost naive quality. Curator: The naive quality might stem from its purpose. It’s a design catalogue, intended to showcase patterns for fabrics. Notice how the repeated bird motif suggests movement and perhaps even good omen. The stylized wings and form evoke freedom and aspiration in Japanese art. Editor: Yes, birds often symbolize freedom, don't they? And that charcoal-like form... could that be read as a void or the possibility to be, so present in that aesthetic? Curator: Exactly. Furthermore, catalogues like this played an important role in the ukiyo-e tradition. Ukiyo-e, translating to ‘pictures of the floating world’, often depicted daily life, fashion, and trends of the Edo period. This book preserves, through its visual encoding, not just textile designs but the cultural tastes of the time. Editor: So it's not just pretty pictures; it's visual anthropology! That actually adds another layer. Knowing this served a practical purpose, elevates what would seem quite mundane at first glance. Curator: Indeed. Its artistry is intertwined with everyday culture. Notice, too, how the geometric placement of the birds, though seemingly random, likely adheres to principles of wabi-sabi – accepting imperfection. The slight misalignments give it a handcrafted feel. Editor: So, there is the connection with decorative arts—the intention for adornment is palpable here. What struck me most at the beginning with the charm now seems as delicate and deeply historical record. It has so much personality! Curator: And I am struck how everyday utilitarian designs transform across time into vital records of belief, values and aesthetics. Thank you for helping me focus.