C 136 1965

Here we have Tadasky's 'C 136', a hypnotic vision rendered in concentric circles of blue, yellow, and red. It reminds me of those moments in the studio, when you're trying to find that perfect balance, that vibrational hum between colors. You know? I can almost see Tadasky, brush in hand, carefully laying down each ring, building up this incredible, pulsating field. There's a real sense of precision here, but also a kind of ecstatic energy, like he's channeling something bigger than himself. It's interesting how he uses these simple shapes to create such a complex and dynamic composition. I think of other artists who've explored similar ideas, like Bridget Riley or even some of the Op Art guys. But Tadasky brings his own unique sensibility to it, a kind of playful seriousness that I find really compelling. It's a reminder that painting is a conversation, a dialogue across time and space, where we're all riffing on each other's ideas, pushing the boundaries of what's possible.