Copyright: Rijks Museum: Open Domain
Johanna van de Kamer made this calligraphic study, a sheet showing different letter types, evoking forms from the third century BC to the thirteenth century. The process of drawing, or perhaps even painting these letters feels akin to the work of Sol Lewitt, a conceptual process enacted through the hand. Look at the way the strokes vary in thickness, some solid and heavy, others just outlines, some filled with a light wash. Each letter is a small architecture. Consider the ‘A’ in the third row, how the serifs flare out like wings, adding an ornamental touch, a trace of the gothic. The way the marks are made gives each letter a distinct personality, a particular mood or attitude. This piece reminds me of the Pattern and Decoration movement of the 1970s, which similarly looked to historical and decorative forms as a source of artistic inspiration. It points to the long conversation between artists across time, each finding inspiration in the forms and ideas of the past.
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