Dimensions: 5 3/4 x 5 1/2 in. (14.61 x 13.97 cm) (tea caddy and stand)
Copyright: Public Domain
This exquisite silver tea caddy was crafted by Paul Revere, a silversmith active in the late 18th century. Look closely at the fluted patterns adorning each piece. The vertical lines, meticulously etched into the silver, suggest a sense of order and refinement, reflecting the Neoclassical tastes popular during this period. However, these fluted patterns evoke something deeper. Recall the ancient Greek columns, their surfaces also marked with similar vertical channels. This design, born from the desire to mimic natural forms, represents strength and support, subtly conveying ideas of stability and timelessness. Over millennia, we find echoes of this motif in various forms—from the pleated garments of classical sculptures to the architectural details of Renaissance palaces. Consider the emotional weight embedded in these patterns. They are not merely decorative, but rather, vessels of memory, passed down through generations. Revere, consciously or unconsciously, tapped into this visual language, creating objects that resonated with viewers on a deep, subconscious level. Each piece is not only beautiful but also a reminder of shared cultural heritage, revealing the cyclical nature of symbols and their enduring power.
The most complete Revere service known, this set was made for a Boston merchant and his wife, John and Mehitable Templeman. It includes one of only two tea caddies made by Revere. The locked boxes held loose tea, an expensive and fashionable commodity. The shell-shaped spoon was used for measuring tea and the sieve was used for straining punch, a beverage often served along with tea. The second stand may have been used as a tray for spoons no longer in use. The accompanying teaspoons and tablespoons have only recently been reunited with this service.
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