Winter 1730

Curator: Bergmüller’s etching, titled "Winter," presents a rich tableau. Its dimensions are rather intimate, roughly 10.5 by 15.5 centimeters. Editor: The first impression is certainly chaotic. A blizzard of figures—angels and mortals alike—caught in a vortex of fine lines. The tonality seems almost oppressive, a symphony in monochrome. Curator: Note how Bergmüller harnesses classical iconography—aquatic deities, celestial beings—to express the season. Consider the allegorical weight of each symbol. Editor: The water jug, for example, overflows not just with water but with cultural memory. It evokes a sense of cleansing, perhaps even rebirth, amidst the apparent harshness. It is a powerful emblem of renewal. Curator: Indeed, the composition guides the eye upwards—from the earthy figures below to the divine figures who dominate the scene above—hinting at an escape from earthly constraint. Editor: It is a fascinating visual argument—balancing linear precision with emotional depth. I am left contemplating how such stark contrast can hold such profound beauty. Curator: A fitting end note. Thank you. Editor: The pleasure was all mine.