Gezicht op de Tuilerieën vanuit de tuin 1660 - 1695

Here we see Adam Perelle’s print, created sometime between 1640 and 1695, depicting a view of the Tuileries from the garden. The formal structure of Perelle's composition employs a symmetrical arrangement, with the palace positioned centrally, flanked by trees. This symmetry lends a sense of balance and order, typical of classical aesthetics. Note how the use of linear perspective, with lines converging towards a vanishing point at the horizon, creates a sense of depth, drawing the viewer's eye into the scene. The precise, delicate lines of the engraving capture the architectural details of the palace and the surrounding landscape. The texture, achieved through varied line density, adds depth and visual interest. Perelle’s print serves not only as a visual record but also as a carefully constructed representation of power and order. The formal qualities contribute to a discourse about urban space and social hierarchy, reflecting the values of the time.