Gedenkteken voor Jacob Willemsz. Delff (II) after 1771

This undated drawing, by an anonymous artist, is a memorial to Jacob Willemsz. Delff II. It reflects the historical and social contexts of the Dutch Golden Age, where family lineage and civic duty held immense cultural significance. Here, the Latin inscription "DEO OPT. MAX." at the top indicates a dedication to God, and the text below is a tribute to the deceased. Note the heraldic imagery and the presence of angelic figures, intertwined with the stark reminder of mortality via the skull at the top. The names Marita Charo and Anna Moogenhouck, along with the phrase "Dilectiffime Conjux," speaks to the personal, intimate relationships that were central to identity. The drawing is thus a meditation on life, death, and remembrance. The drawing uses traditional visual language to present a narrative of a life esteemed within the family and community. It serves as both a public declaration and a deeply personal acknowledgment of loss.