Titelprent voor een serie cartouches en ornamenten in kwabstijl 1654

Editor: This engraving, "Titelprent voor een serie cartouches en ornamenten in kwabstijl," dating back to 1654, is by Jacob Lutma and currently held at the Rijksmuseum. It's wonderfully ornate. All those curves! What catches my eye, though, is how the lettering seems almost secondary to the sheer density of the decoration. What do you see in it? Curator: I'm drawn to consider the *means* of its production. The Kwabstijl—"lob style"—is characterized by its fleshy, organic forms that mimic sculpted materials. Lutma, himself a goldsmith, designed these prints as guides for other artisans. Consider the labour involved – the skilled hand translating a three-dimensional concept onto a two-dimensional plane for *re*production. This challenges our notions of authorship. Editor: So it’s less about Lutma's unique vision and more about how this design could be circulated and reworked? Curator: Precisely. Think of this print not as a finished art object, but as a tool, a template. The "preciousness" isn't in the rarity or originality, but in the usefulness of the design for material creation, it embodies craft. Editor: That shifts my perspective entirely. So we’re not just looking at art, but at a stage in an artisanal process, showcasing materials transforming in workshops of the time. Curator: Exactly! These lines of inquiry help us dismantle the high art/low craft binary and better understand the social lives of objects, revealing how aesthetics intertwined with early manufacturing. Editor: This was very illuminating. Thanks! Curator: It was a pleasure discussing the tangible and economic reality embedded within this ornament.