Zwei Köpfe (Two Heads) [p. 39] 

Curator: Today, we’re looking at a drawing by Max Beckmann titled “Zwei Köpfe”, which translates to “Two Heads.” It appears on page 39 of what seems to be one of his sketchbooks. Editor: The immediate impression is melancholic, I think. The soft graphite rendering gives them a kind of ghostly presence, almost as if they’re fading away. There’s a very somber feel to it. Curator: Agreed. What I find interesting is the positioning of the figures. The frontal figure is more defined, the one behind existing as more of a profile in the background, rendered with thinner lines. This imbues it with depth but also gives prominence to the foremost figure. It also underscores Beckmann's masterful control over line weight, achieving a dynamic composition using minimal elements. Editor: Symbolically, that could suggest a conscious self facing the shadowy remnants of memory or the past. Both figures, notably, seem downcast, almost resigned, deepening the sense of subdued emotion. The mustached gentleman is perhaps dealing with introspection; such somber imagery became particularly resonant during and after the World Wars. Curator: I concur; one could interpret it as an exploration of internal conflict, of fragmented identity, so central to German Expressionism, of which Beckmann was a crucial figure. Note also that neither head is given a detailed treatment of the eyes, adding to this atmosphere of internal pondering or uncertainty. Editor: And the faintness of the secondary figure can be seen as how history or trauma haunts us, shaping even our outward facing identity as suggested by the forward most man’s likeness, no? I'd further say that this ghostly approach offers a visual metaphor for societal anxiety of its period. Curator: Indeed. Through very subtle compositional choices and restrained mark-making, Beckmann invites profound introspection in this seemingly simple sketchbook drawing. Editor: An unassuming sketch becomes a haunting mirror reflecting on the emotional toll and enduring echoes of both personal experience and a troubled era.