Catharina wordt dominicanes by Cornelis Galle I

Catharina wordt dominicanes 1603

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print, engraving

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baroque

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print

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old engraving style

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figuration

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line

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history-painting

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engraving

Dimensions: height 150 mm, width 90 mm

Copyright: Rijks Museum: Open Domain

Curator: This engraving, created by Cornelis Galle I in 1603, depicts "Catharina wordt dominicanes," which translates to Catherine becoming a Dominican nun. It’s part of the Rijksmuseum's collection. Editor: Immediately, the scene strikes me as formal and severe. The figures are stiff, almost hieratic, clustered together. The radiant burst behind them feels theatrical. What's the source of that light? Curator: The light emanates from divine figures. The print illustrates Catherine's choice to enter the Dominican order. Dominican saints and perhaps church fathers look on. See how one places the crown of thorns on her head? A potent symbol. Editor: Indeed. And a particularly gendered one. The act of embracing religious life often meant for women a renunciation of worldly power—marriage, motherhood, status—in favor of spiritual authority within the church, however circumscribed. Curator: That's a critical point. Catherine, kneeling, gains authority within this very specific context through the symbolic rejection of earthly crowns, seen in other depictions of female saints and ascetics as well. The book and rosary at her knees signal devotion. Editor: The engraving style itself contributes to that sense of historical distance. The precision of the lines, the deliberate shading… it feels designed to present a carefully constructed narrative of piety. I'm interested in how "choice" is framed here; we are invited to interpret it through this very controlled visual language. Was there room to question these decisions? Curator: Perhaps not overtly within the work itself, though one could ask whether the performative nature of such acts invites a different reading. The symbols operate on many levels; it's a language. But what is being said? Editor: I keep circling back to the idea of performance. The woman is giving herself to the Dominican Order in this display. The male figures loom above. The question I find most lingering is, who truly benefits from this spectacle of female piety? Curator: I find that reading compelling. Thank you for expanding the way I understood those visuals. It allows us to explore these devotional images more thoroughly and critically. Editor: And I see it very differently now through your detailed symbolic interpretation. These objects certainly hold fascinating perspectives.

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