drawing, graphic-art, print, ink, pen, engraving
portrait
drawing
graphic-art
comic strip sketch
narrative-art
dutch-golden-age
caricature
old engraving style
sketch book
figuration
personal sketchbook
ink
sketchwork
pen-ink sketch
line
pen work
sketchbook drawing
pen
islamic-art
history-painting
storyboard and sketchbook work
sketchbook art
engraving
Dimensions: height 215 mm, width 275 mm
Copyright: Rijks Museum: Open Domain
This satirical print by Johan Michaël Schmidt Crans, made in 1884, presents Governor-General Van Rees on horseback, arriving at the gates of "Insulinde's Paradise." Observe the symbolic weight of the angel figure, reminiscent of classical depictions of virtues or divine messengers, standing guard. Yet, it holds a sword labeled "Tekort", and an ominous dragon marked "Atjeh" lurks beneath the gate, breathing out beams representing loss of wealth. This juxtaposition evokes the complex relationship between colonial ambition and its inherent struggles. The motif of a triumphant leader entering a city, common in Roman art and Renaissance painting, here takes an ironic twist. This historical visual symbol now serves to question the promises of colonial rule. Van Rees's arrival, seemingly grand, is overshadowed by the lurking dragon and the angel's sword that signals a very different reality from what is expected. Such imagery, charged with historical echoes, engages viewers on a deep, subconscious level, triggering a potent blend of cultural memory and critical reflection. It demonstrates how symbols evolve, resurface, and acquire new meanings in different historical contexts.
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