Portret van een jonge vrouw by Adolphe Zimmermans

Portret van een jonge vrouw 1884 - 1913

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photography, albumen-print

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photography

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albumen-print

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realism

Dimensions: height 82 mm, width 53 mm

Copyright: Rijks Museum: Open Domain

Curator: It strikes me immediately as very ethereal, almost like a faded dream. Editor: Indeed, there's a beautiful softness. What we're looking at is an albumen print from a photo album, created between 1884 and 1913 by Adolphe Zimmermans. The title is "Portret van een jonge vrouw" — "Portrait of a Young Woman". Curator: It’s a fascinating glimpse into the visual language of its time. Her gaze is averted, almost melancholy. It contrasts with the formal style, those high puffy sleeves… Editor: Absolutely, that combination tells us a lot about the intersection of self-expression and social expectations of women at that time. Photography was becoming more accessible, so perhaps she had more agency than in painted portraits. Curator: Perhaps, but also, think of the photographic conventions of the time. The stiff poses, the carefully controlled lighting… the symbols are so subtle yet so deliberate. Editor: Yet despite that controlled environment, her posture communicates a quiet determination. How does this work challenge or reinforce our assumptions about beauty and representation in that period? Does it subvert patriarchal control of the medium? Curator: Or is it a co-creation? Is she collaborating in her representation, or passively letting herself be portrayed? Maybe those demure eyes signal knowingness, complicity? We assume such constraints on women of the period, and rightly so, but she's clearly not miserable! The soft light enhances her natural beauty. Editor: I see it a little differently perhaps, that averted gaze hints at a certain discomfort with the camera, or with society’s gaze in general. How many portraits like this were essentially advertisements for marriageability? Curator: Perhaps, though I think we also read the images we expect. Editor: It’s a reminder of how vital historical and intersectional awareness are when confronting images. Curator: Agreed. Thinking about it now, those formal sleeves are so specific to the late 19th century; that era tried so hard to leave an impact. And what is more of an impact than an attempt at immortality? Editor: So true, looking at her you do have a very unique moment of reflection across eras.

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