Construction 

This 'Construction' by Alexander Rodchenko presents us with a series of geometric shapes suspended in space. Here, the square—a symbol long associated with stability and the earthly realm—is reimagined in a dynamic, almost precarious arrangement. Consider the Renaissance paintings where the square grounds compositions, signifying order. Rodchenko, however, disrupts this, tilting and layering the squares to evoke a sense of modernity and industrial progress. This subversion is not merely aesthetic; it reflects a deeper cultural shift. The interplay of geometric forms triggers a psychological response. The precarious balance evokes tension, engaging our innate sense of equilibrium. This isn't just a composition; it's a visual embodiment of the anxieties and aspirations of a rapidly changing world. Through this seemingly simple act of re-arranging the square, Rodchenko taps into a collective memory, urging us to reconsider our relationship with space, stability, and the very foundations of our perception.