Jupiter et Semele c. 17th century

Stefano della Bella created this etching of Jupiter and Semele in the 17th century. The story of Jupiter and Semele, where Semele is destroyed by seeing Jupiter in his divine form, presents ideas about the limitations of human knowledge and the dangers of excessive curiosity, common themes in the art of the time. The print was made in Italy, and the etching technique allowed for the creation of detailed and intricate images that could be reproduced and distributed widely. The circulation of prints allowed artists to reach a wider audience. The print medium was also supported by academies and institutions dedicated to the arts, which promoted the study and appreciation of classical mythology and history. The narrative is inherently about power, knowledge, and gender. It invites the viewer to consider the social structures that shaped the production and reception of art. By consulting historical texts and cultural studies, we can gain a deeper understanding of the image.