Imprints of a No. 50 Paintbrush Repeated at Regular Intervals of 30 cm. 2004

Niele Toroni made this artwork by repeatedly imprinting a No. 50 paintbrush at regular intervals of 30 cm. Toroni began making these "imprints" in the late 1960s. At this time many artists were challenging the traditional notions of art and authorship. Toroni's work fits into a larger historical trajectory of artists using simple, repetitive gestures to create abstract patterns and question the role of the artist's hand. It is an example of institutional critique. Toroni's work can be understood as a response to the commodification of art. By using a simple, repetitive gesture, Toroni removes any trace of personal expression or artistic genius from his work. It's a challenge to the art market, which places a high value on originality and uniqueness. To fully understand this work, it is necessary to consider the political and economic context in which it was made. Researching the history of art criticism of the time would reveal more about how this piece challenged existing social norms and the institutions of art.