Portret van René de Menou, graaf van Charnizay by Crispijn van de (II) Passe

Portret van René de Menou, graaf van Charnizay 1625

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print, engraving

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portrait

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baroque

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print

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history-painting

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engraving

Dimensions: height 207 mm, width 120 mm

Copyright: Rijks Museum: Open Domain

Editor: So, here we have a portrait from 1625, "Portret van René de Menou, graaf van Charnizay," by Crispijn van de Passe the Younger. It's a print, an engraving actually, and what strikes me first is its almost stark presentation within such an ornate frame. It feels very much of its time. What do you see in this image, especially regarding its symbolic language? Curator: It's fascinating how the artist utilizes symbols to create a multi-layered representation, isn't it? The elaborate frame is not mere decoration; it's part of a visual program. Note the inscription encircling de Menou. What feelings do you get from it? Editor: The frame feels almost celebratory, with that wreath-like inscription... but also a bit distancing. It feels more like a formal pronouncement than a warm portrait. Curator: Exactly! Look closely at the armor he wears. This isn't just about status; it connects de Menou to ideas of virtue, strength, and the continuity of lineage. And below his portrait, a coat of arms grounds de Menou in a precise moment within history, family, and power. It all becomes a memory device, not just for the individual but for the values he represents. It all forms an intriguing cultural snapshot from this time! Editor: That’s such an interesting point about memory. He isn't simply de Menou; he embodies these ideals. I also noticed there’s an inscription at the bottom. I guess it's some sort of laudatory verse? Curator: Yes, precisely! It is vital, as it's reinforcing those symbolic readings embedded within the portrait. That poem emphasizes that he deserves this artistic treatment that immortalizes him for eternity! So every component is deliberately woven together to construct and preserve meaning. Editor: I never would have considered how thoroughly symbolic a portrait could be. Now, when I look at art from this era, I think that I can read beyond just appearances! Curator: Indeed! And consider how those symbols resonated with audiences of the time, informing their understanding of power and identity. That can truly enrich our experience.

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