Katholieken aan de staatsruif by Albert (I) Hahn

Katholieken aan de staatsruif 1905

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graphic-art, print, paper

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graphic-art

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art-nouveau

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print

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caricature

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figuration

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paper

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line

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cityscape

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modernism

Dimensions: height 432 mm, width 326 mm

Copyright: Rijks Museum: Open Domain

Curator: Allow me to introduce "Katholieken aan de staatsruif," a print crafted in 1905 by Albert Hahn. The Art Nouveau stylings frame a particularly charged caricature. What catches your eye first? Editor: The hay! It dominates the entire image like this undulating golden mass and sets a strange tone, doesn't it? It's both luxurious and slightly menacing. I also immediately noted the almost comical array of clerics peering down. Curator: Indeed. Note the lines of the "staatsruif," or state-sponsored trough, constructed to resemble a hayrack, are harsh diagonals, which cut through the soft, almost dreamlike quality of the hay, dividing and shaping the visual field. The artist utilizes line brilliantly, to create depth and dimension in what might otherwise become a flattened field of hay. Editor: It really does feel like a dream. Like they're all caught in a slow-motion fall, clinging desperately to this trough. There's a tragic absurdity to their grasping, upturned faces. And the little man below seems to be pulling it all down with hay strands. He looks almost manic! Curator: Hahn's skillful rendering enhances the tension. Observe how each face is distinctly etched. While the group may appear unified by their pursuit, their individual expressions communicate a variety of emotions: anxiety, hope, greed... all legible through an expertly economic hand. The caricature leverages formal choices for expressive political commentary. Editor: And look at the tiny table laid out with what looks like bottles or sweets – rewards that tempt them, but somehow unattainable! It gives a slightly pantomimic feel, heightening the dark humor of the scene. I suppose this print could speak to certain social imbalances which felt extremely relevant then, and remain somehow topical now. Curator: Precisely. Hahn's formal precision amplifies its polemical effectiveness, achieving a lasting commentary on power dynamics and institutional dependency through sharp characterizations. The formal artistry allows it to resonate even now. Editor: It does make you think doesn't it? Art can offer these complex social reflections that exist far beyond any specific historic moment. Thank you for highlighting this compelling image.

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