Kostümstudien von Hebräern (Hebrew Costume Studies) [p. 5] 

Editor: This page, titled "Kostümstudien von Hebräern" or "Hebrew Costume Studies," by Max Beckmann, seems to be a pencil drawing. I notice it contains several sketches of figures. The details are quite striking for what seems like a preliminary work. What stands out to you when you look at this drawing? Curator: I find it interesting to view these sketches through a historical lens, as a glimpse into how Beckmann engaged with representations of Jewish figures and perhaps grappled with the increasing presence, and the perception, of Jewish people within European society at the time. Considering Beckmann’s personal history during periods of great upheaval, and his own complex relationship to German society, how might his engagement with such a subject influence the sketches themselves? Editor: So you are saying the seemingly simple sketches may be reflective of something greater, some historical anxiety? Curator: Precisely. Given the lack of specific dating on this sketch, it’s difficult to place it within a particular political moment. Still, the very act of studying and sketching these "Hebrew" costumes – likely referencing traditional or religious garments – reflects an engagement with the social and cultural construction of identity. Have a look at what the figures are wearing: does it look particularly stylised or are you noticing more general modern clothing? Editor: I see a variety: some figures wear what look like head coverings, more elaborate tunics. Others are in trousers and collared shirts. It’s not a uniform representation, it’s a collection. Curator: And what implications does this diversity hold within the social context? Perhaps an effort to record, perhaps a questioning? These sketches are records, but not necessarily neutral ones. They reflect Beckmann's own position within a complex historical landscape. What do you think it meant for him to represent "Hebrew" people at this time? Editor: I hadn't thought of it that way, it seems far more nuanced when viewed from this socio-historical perspective. Thanks, this really shifted my perspective. Curator: Glad to offer it! Art always operates within society, so there's never really one definitive understanding.