Lovers Beneath an Umbrella in the Snow c. 1767

Suzuki Harunobu made this woodblock print, "Lovers Beneath an Umbrella in the Snow," in the mid-18th century. This wasn’t just drawing, it was a complex craft. Each color you see required a separate block, meticulously carved and then printed in precise registration. Think about the labor involved. Harunobu, a master of Ukiyo-e, would have worked with skilled block carvers and printers. These artisans were essential to the final product, and their expertise is palpable. The subtle gradations of tone, the crispness of the lines – all speak to a highly refined process. The paper itself, likely made from mulberry bark, has a warmth and texture that complements the delicate imagery. It's easy to overlook the materiality of prints like this, but it's crucial. This wasn't just an image, it was a carefully constructed object, reflecting a whole network of skilled labor. By attending to these material facts, we can fully appreciate its beauty, and Harunobu’s mastery.