Courtier and Lady c. 1768

Suzuki Harunobu crafted this woodblock print, Courtier and Lady, around 1765, using a technique called nishiki-e, or "brocade pictures." This method involves multiple blocks, each inked with a different color, meticulously aligned to create a vibrant, layered image. Look closely, and you’ll notice how the texture of the wood grain subtly influences the appearance, particularly in the delicate rendering of the figures' robes and the architectural details. The soft, muted tones—achieved through careful layering of translucent inks—imbue the scene with a sense of tranquility and refinement. The production of these prints involved a complex division of labor, with skilled artisans responsible for carving the blocks, applying the inks, and pressing the paper. The process speaks to a sophisticated system of production and consumption, reflecting the growing urban culture of Edo-period Japan. Ultimately, understanding the materials and making of this artwork is critical. It not only highlights the technical skill involved, but also reveals much about the social and economic context in which it was created.