Dimensions: 12 13/16 × 8 3/4 in. (32.54 × 22.23 cm) (plate)16 15/16 × 11 1/8 in. (43.02 × 28.26 cm) (sheet)
Copyright: Public Domain
This is Fascicule III, a print made by Jean Claude Richard, Abbé de Saint-Non. The composition is immediately striking, with its arrangement of classical figures and urns in a seemingly random, yet carefully considered manner. The figures, rendered in delicate lines, appear to float against the stark white of the paper, creating a sense of ethereal lightness. The use of line is particularly significant here. Notice how the artist varies the line's thickness and density to create depth and shadow, thereby giving volume to the figures and objects. The contrast between the detailed rendering of the figures and the minimalist background invites us to focus on the forms themselves, prompting a deeper consideration of their symbolic and aesthetic value. Ultimately, this print functions as a semiotic system. The classical motifs evoke a certain cultural memory and intellectual framework and this combination invites the viewer to engage in a dialogue between the past and the present.
The Jean-Baptiste Claude Richard (also known by his title abbé Saint-Non) embodied the important role of the amateur, an patron and connoisseur of the arts as well as a practitioner in 18th-century France. He was a skilled networker, a curious, innovative printmaker, and he supported his artist friends in their projects and travels. Saint-Non executed this suite of prints in Paris in 1763, representing antique fragments and reliefs he saw during his travels in Italy from 1759 to 1761. Most of the monuments are identified in the inscriptions by their locations in Rome. The works reflect French artists’ fascination with antiquity at the time, and the way in which these sources were transmitted to a larger public through the circulation of prints. Remarkably the suite of etchings remain as originally issued, in three groups of six deckle-edged sheets stitched together simply along the top edge.
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