Dimensions: 70 x 150 mm
Copyright: © Cildo Meireles | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Cildo Meireles' "Insertions into Ideological Circuits 2: Banknote Project." It seems to be a modified Brazilian banknote. The added text looks like some kind of subversive message. What do you see in its composition? Curator: The superimposition is compelling. Meireles appropriates the existing visual language of the banknote, its established patterns and familiar symbols, and disrupts it. Note the text, "Inserções em circuitos ideológicos" - insertions into ideological circuits. Editor: So, it's about the injection of ideas. Curator: Precisely. The layering and alteration of the note's surface suggest an intervention, almost a parasitic relationship with the existing system of value and exchange. The materiality is crucial. What does it mean to inscribe dissent onto currency? Editor: I guess it uses the value of money to spread a political message. Curator: Indeed. The work invites us to consider how meaning is constructed and circulated through everyday objects. Editor: That's a powerful statement. I see it now.
http://www.tate.org.uk/art/artworks/meireles-insertions-into-ideological-circuits-2-banknote-project-t12538
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Meireles started this project during the military dictatorship in Brazil. In the face of strict state censorship he stamped messages calling for democracy and political freedom on banknotes and returned them into circulation. This work relates The Coca-Cola Project. The artist is happy for others to participate in this project, stamping their own messages on the banknotes of any country. For Meireles, the notes displayed here are only documentation. The work operates when the notes are used as currency. Gallery label, August 2020