Copyright: © Cildo Meireles | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we see Cildo Meireles's "Insertions into Ideological Circuits 2: Banknote Project," from 1970, currently held in the Tate Collection. Editor: It's… a dollar bill? But it's got text stamped on it. It feels like a tiny act of rebellion, or maybe a playful jab at authority. Curator: Precisely! Meireles used the existing banknote as a carrier for alternative messages, intending for these bills to re-enter circulation, spreading dissident thoughts. Editor: So, he's hijacking a symbol of power, literally embedding his own counter-narrative within it? It's like a virus of ideas! Curator: Indeed, a subversive commentary using the very arteries of capitalism. The symbolic power of currency becomes a vehicle for something else entirely. Editor: That's brilliant. It makes you wonder about all the silent conversations happening every time money changes hands. Curator: Exactly. The dollar bill, a mundane object, suddenly becomes a powerful medium, laden with layers of meaning. Editor: I’ll never look at my crumpled ones the same way again.
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http://www.tate.org.uk/art/artworks/meireles-insertions-into-ideological-circuits-2-banknote-project-t12525
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Meireles started this project during the military dictatorship in Brazil. In the face of strict state censorship he stamped messages calling for democracy and political freedom on banknotes and returned them into circulation. This work relates The Coca-Cola Project. The artist is happy for others to participate in this project, stamping their own messages on the banknotes of any country. For Meireles, the notes displayed here are only documentation. The work operates when the notes are used as currency. Gallery label, August 2020