Dimensions: unconfirmed: 550 x 846 mm frame: 754 x 1047 x 56 mm
Copyright: © Fondazione Lucio Fontana, Milan | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Before us is Lucio Fontana's intriguing work, "Spatial Concept." Editor: My first impression is meditative. The repetition of those perforations is oddly calming. It almost looks like constellations plotted on raw material. Curator: Indeed. Fontana, active mid-20th century, disrupted the traditional notions of painting. This piece exemplifies his exploration of space beyond the canvas. Editor: I think for Fontana, it's a deliberate act of rebellion against the traditional art world. The canvas isn’t just a surface; it's a gateway to another dimension. Those holes are deliberate punctures in the establishment. Curator: That reminds us how Fontana's work challenged the very definition of sculpture and painting, forcing us to reconsider the art object. Editor: Looking closer, the warm, brown ground really invites contemplation, doesn’t it? It allows us to consider the surface as well as the void. Curator: Absolutely. The piece certainly invites us to reflect on the relationship between surface and depth, presence and absence. Editor: It’s truly thought-provoking how a seemingly simple gesture can hold such layers of meaning. Curator: Fontana leaves a legacy of boundless experimentation, forever changing our perception of what art can be.
http://www.tate.org.uk/art/artworks/fontana-spatial-concept-t03961
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Fontana began to make holes (or buchi) through his canvases in 1949-50. At its simplest, this can be seen as marking the movement of the artist’s hand, like the brushwork in Abstract Expressionist painting. However, the puncturing ensured that Fontana literally cut between the space occupied by the viewer, through the surface of the canvas, to the space that lies beyond. Fontana saw this as evocative of infinity, claiming ‘I have created an infinite dimension’. Gallery label, March 2005