Spotprent op de verkiezing te Sneek, 1885 by Johan Michaël Schmidt Crans

Spotprent op de verkiezing te Sneek, 1885 1885

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drawing, graphic-art, print

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drawing

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graphic-art

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comic strip sketch

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quirky sketch

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print

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caricature

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sketch book

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personal sketchbook

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idea generation sketch

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sketchwork

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thumbnail sketching

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sketchbook drawing

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cityscape

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genre-painting

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storyboard and sketchbook work

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sketchbook art

Dimensions: height 275 mm, width 215 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this print is titled "Spotprent op de verkiezing te Sneek, 1885" by Johan Michaël Schmidt Crans, created in 1885. It's quite busy, but something about the figures and their expressions gives off a satirical feel. What do you see in this piece from a historical perspective? Curator: Well, first it is important to acknowledge the text provides critical information for our analysis. The top of the image names the caricature as relating to a "young" election in Sneek. Sneek is a region in the Netherlands and understanding what the political battle lines of that election will let us truly analyze what this work meant to viewers in 1885. The presence of text further implicates print’s role in disseminating social commentary and shaping public opinion. What do you know about Dutch politics at this time? Editor: Honestly, not much offhand. I do notice the bottom portion of the drawing is Dutch too, which I can read a bit. "The newly elected official from Sneek" arrives, then some maiden proclaims welcoming the new member. Some sort of choir sings. Curator: Right, and it is vital to consider *who* is elevated in that process. Do we have any clues as to why Schmidt Crans lampoons a political moment that clearly involved varying stakeholders such as region, class and the church? Look at how wealth and status is shown as well as religious acceptance; what can be implied about what sectors and individuals Schmidt Crans wishes to admonish? Editor: I guess I need to do more research into the Dutch elections. It seems like an image layered with meaning and cultural context that are pretty inaccessible if you don’t know the history. Curator: Exactly. It's a reminder that art often participates in ongoing socio-political dialogues. The power of this image, beyond just a funny drawing, really stems from its engagement with specific local and period debates. Editor: I see that much better now! Thanks!

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