print, woodblock-print
portrait
caricature
asian-art
caricature
ukiyo-e
figuration
woodblock-print
line
Dimensions: height 372 mm, width 257 mm
Copyright: Rijks Museum: Open Domain
Curator: This woodblock print, created circa 1835-1839 by Utagawa Kunisada, is entitled "Nakamura Utaemon IV". Editor: My initial reaction is one of dynamic tension! The raking lines in the background create an incredible sense of urgency and focus, forcing your eye onto the figure in the foreground. It almost feels as though the figure is being propelled forward. Curator: Yes, Kunisada masterfully uses the Ukiyo-e technique. Note how the carving and printing processes were highly collaborative. Artisans specializing in carving the woodblocks and applying the colours worked closely to achieve this final print, each adding their expertise to the creation of this image. The quality of materials – the wood, the paper, the inks – also dictates the work's longevity. Editor: Looking at Utaemon's pose, and considering this is a Kabuki actor, what symbolic meaning might we draw from the sword held aloft? The bare feet? There's a rawness conveyed here that feels deliberately theatrical and yet psychologically revealing, don’t you think? Perhaps it is drawing on established symbols in Kabuki theatre. Curator: Absolutely. The production and consumption of these prints were directly tied to the Kabuki theatre industry. Actors were like celebrities, and their images were mass-produced for fans. We must also recognize the economic aspect here—the cost of the materials, the labour involved, the eventual sale price, all embedded within this object. It’s all a kind of performative craft. Editor: Indeed. He holds the sword so precisely. A figure caught mid-motion against this surge of abstract energy, creating a truly captivating study of action, artifice, and cultural iconography. Curator: Looking at the print's process and material choices gives a greater understanding of this artist's social world and the conditions of making art in Japan at the time. Editor: Ultimately, "Nakamura Utaemon IV" becomes a powerful expression of cultural identity and symbolic communication, revealing much about the performer as an idol.
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