Vallende boeken op een man met zwaard by Utagawa Yoshitora

Vallende boeken op een man met zwaard c. 1850 - 1880

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print, woodblock-print

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portrait

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narrative-art

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print

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book

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asian-art

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ukiyo-e

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figuration

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woodblock-print

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line

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watercolour illustration

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history-painting

Dimensions: height 250 mm, width 178 mm

Copyright: Rijks Museum: Open Domain

Curator: This print by Utagawa Yoshitora, likely dating from the mid-19th century, depicts a dramatic scene titled "Vallende boeken op een man met zwaard," or "Falling books on a man with sword.” The work resides here at the Rijksmuseum. Editor: My immediate reaction is one of delightful chaos! The dynamic arrangement of the falling books contrasts sharply with the grounded, almost stoic, figure of the swordsman. It’s a visual representation of information overload meeting resistance. Curator: Precisely. The print belongs to the Ukiyo-e tradition, often reflecting popular narratives and heroic figures. Here, Yoshitora uses the motif of cascading books – objects associated with learning and authority – to depict a scene of confrontation, perhaps suggesting a rebellion against established power or ideology. Editor: The artist’s use of line is quite striking. It delineates the forms clearly, yet there's a fluidity in the rendering of the falling books. Also, the colour palette—though restrained—is quite effective; the muted tones of the books set against the comparatively vibrant details of the swordsman’s garments creates an interesting juxtaposition. Curator: Yes, and considering the context of 19th-century Japan, the books may also symbolize the growing influence of Western knowledge and the challenge it posed to traditional samurai values. This period saw significant cultural and political upheaval, making this imagery all the more potent. Editor: Intriguing. I find myself drawn to the narrative implied by the composition; it’s like a freeze-frame from an epic confrontation. I would be very curious about the symbolic nature of all those Japanese letters painted on top of the pages and hard covers. It offers just enough information for our minds to build around and tell stories from. Curator: Indeed. Yoshitora masterfully encapsulates a pivotal moment of transition and resistance through his dynamic arrangement and symbolic imagery. It provokes reflections on cultural change and the power of knowledge. Editor: A memorable print then, successfully blending the aesthetic charm of the Ukiyo-e tradition with thought-provoking socio-historical undertones.

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