Mlle. Iona, from the Actresses series (N203) issued by Wm. S. Kimball & Co. 1889
drawing, print, photography
portrait
drawing
art-nouveau
photography
Dimensions: Sheet: 2 5/8 × 1 3/8 in. (6.6 × 3.5 cm)
Copyright: Public Domain
Editor: This sepia-toned card evokes such a strong sense of nostalgia, doesn't it? Like peering into a forgotten theater. Curator: Indeed! We’re looking at "Mlle. Iona, from the Actresses series (N203) issued by Wm. S. Kimball & Co.," dating back to 1889. This little treasure comes from the Metropolitan Museum of Art. What do you make of it formally? Editor: The composition strikes me as calculatedly seductive. Note how the receding steps act as diagonal lines, pulling your eye up towards Mlle. Iona, posed with a self-assuredness that's almost confrontational. Curator: I love that word: confrontational! There's a knowing glint in her eyes. It’s like she's sharing a secret, or daring us to guess it. Makes you wonder about the real Mlle. Iona, beyond the costume. Editor: Precisely! Consider also the chromatic scale – restrained, almost monochromatic. Yet, it allows a deep focus on the texture, especially within her garment and plumed hat, bringing a tactility to this tiny rectangle. The art nouveau aesthetic comes through with elegance. Curator: Absolutely. And knowing that this was essentially advertising, designed to slip into cigarette packs… Imagine how this fleeting image captured and ignited imaginations back then. It hints at larger narratives—the life of the theater, the glamour of the stage—things probably quite removed from most people's daily lives. Editor: Right! These cards become little vessels, carrying social aspirations, and theatrical allure. And notice the composition also highlights the architecture with what is seemingly some column and rail design— a stage for aspiration, mirroring the actress's raised status. Curator: This card speaks volumes about celebrity culture. And about how even everyday objects can offer windows into different eras and the lives, real and imagined, of others. Editor: And now I’m left contemplating the gap between image and reality! What’s presented versus the person she truly was.
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