Lina Merville, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes by Allen & Ginter

Lina Merville, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891

0:00
0:00

drawing, print, photography

# 

portrait

# 

print photography

# 

drawing

# 

pictorialism

# 

print

# 

photography

# 

historical photography

# 

19th century

# 

genre-painting

Dimensions: Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Copyright: Public Domain

Curator: This photographic print, dating from between 1885 and 1891, presents Lina Merville as part of Allen & Ginter's "Actors and Actresses" series for Virginia Brights Cigarettes, currently residing at the Metropolitan Museum of Art. Editor: My immediate impression is one of performance. Her gaze, her outfit, everything seems designed to project an image. I see that her theatrical garb uses symbolic colors, but her eyes suggest defiance behind her role. Curator: Absolutely. These trade cards were enormously popular. Mass production and distribution strategies aimed at branding and cultivating specific demographics through the use of popular imagery like actresses. These images existed within a specific commercial system that played into the broader culture of celebrity. Editor: Her garb almost suggests classical Roman symbols. What I read as "gold" might be yellowish pigments, evoking ideas of luxury and status. And do we see a suggestion of laurel wreath, barely sketched? I wonder if this speaks to classical allusions intended to align the actress with idealized virtues. Curator: Precisely. There's a layering of symbols, but what I find interesting is that Virginia Brights chose *her* image, within the landscape of entertainment culture at the time. How did the cultural image of women as performers both sell cigarettes *and* influence the public perception of their roles in society? That dynamic is far from straightforward. Editor: It creates a kind of loop between artifice and authenticity. Here is Lina, costumed and staged, playing to our ideas of...what exactly? All these details create such a compelling interplay of social identity in the performance hall. Curator: That's right. This little card speaks volumes about branding, social roles, and the evolving dynamics within entertainment at the end of the 19th century. Editor: It serves as an intimate glimpse of a society figuring itself out via images that resonate profoundly even today.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.