Portret van Johannes Phocylides Holwarda by Crispijn van de (II) Passe

Portret van Johannes Phocylides Holwarda 1652

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print, engraving

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portrait

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baroque

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print

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old engraving style

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engraving

Dimensions: height 191 mm, width 124 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have Crispijn van de Passe's 1652 engraving, a portrait of Johannes Phocylides Holwarda. Editor: It has this contemplative air about it, don’t you think? All those lines…it's quite detailed. The moon, the sun—a rather somber fellow nestled in this celestial, almost…algebraic setting? Curator: Algebra you say! I think that's interesting because this piece presents the labor involved, revealing the artist's technique and mastery through detailed lines etched meticulously on the plate. Engraving was laborious and time-intensive, and this reminds us of the skilled hands involved in producing the art. Editor: You know, it's fascinating to consider how the choice of engraving impacted its reception. The print medium allowed for reproduction and widespread circulation of his likeness, democratizing the image. Who had access to images, and who did the image serve? This was at a time where access to images was highly restricted. Curator: I am charmed how this work embraces both art and science, and the overall feeling seems rather baroque. You can really observe that sentiment in Holwarda's expression, you know, this dramatic presentation in spite of being still—a quiet intensity. The sun and moon frame him—light and darkness! A world of thought contained within this oval. I love that a rose is juxtaposed with a skull… such drama. Editor: Absolutely. And consider the cost! Engravings weren't cheap. How many impressions could be made before the plate wore out? The act of printing was a small-scale industrial operation that affected everything. Labor, the material quality of the paper, the distribution network - all these were constraints for Crispijn's work. Curator: Thinking about it now, I think Van de Passe captured not just a likeness but also an atmosphere, which is the pursuit of knowledge through both reason and wonder. That contrast is perfectly balanced, and rather timeless, I would argue. Editor: Yes. And I believe through understanding production—the grit and the craft—we appreciate more fully the layers of the artist's creativity, along with its social reach. This understanding is where its lasting significance lies.

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