drawing, print, etching, graphite
portrait
drawing
etching
charcoal drawing
pencil drawing
graphite
portrait drawing
Dimensions: 261 mm (height) x 187 mm (width) (plademaal)
Curator: This etching by Frans Schwartz, created in 1903, offers us a glimpse into the likeness of Carl Bloch. It resides here with us at the SMK, the National Gallery of Denmark. Editor: The first thing that strikes me is the incredible detail with just a few lines! It's all soft edges, somehow very intimate despite being such a formal portrait. The sitter's gaze is directed elsewhere, inviting contemplation. Curator: Indeed. Consider how portraiture functions in the Danish art world around the turn of the century. Etchings such as this gained popularity through their relative affordability, expanding the market for likenesses beyond the oil-painted elite. This piece reflects the increasing democratization of art patronage. Editor: Ah, so everyone could have their own mini-Bloch! I’m still stuck on the texture. Schwartz uses line-work in such a painterly way; it is surprising that he would make this intimate drawing into a print. I mean, it looks so effortlessly tossed off. There's this beautiful ambiguity - is it a study? Or is it the final piece? Curator: The reproductive aspect of prints is not simply about replication; it involves strategic aesthetic decisions. For example, how does an etched line evoke a particular mood, perhaps enhancing or diminishing Bloch's iconic status? The etching’s fine detail mimics the texture of paintings while existing independently as a drawing. Editor: He almost makes it seem like he isn't trying to be representational but more suggestive of a portrait! All smoke and mirrors with a dash of mustache and bow tie. What was Carl Bloch known for at the time anyway? Curator: Bloch enjoyed immense popularity throughout the latter half of the 19th century. Royal patronage elevated him to something approaching celebrity status in artistic circles, further explaining the significance of such prints. Editor: So owning this little slice of Bloch was a bit like owning the latest royal-approved it-thing! Who wouldn’t want that in their salon, or maybe even in their privy! A truly accessible form of admiration… Thank you for helping me get deeper inside Frans Schwartz's piece. Curator: And thank you for sharing your artistic insights; together, we’ve brought a richer understanding to “Portræt af Carl Bloch”.
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