Cruet c. 1936

Editor: This is John Tarantino’s "Cruet," made around 1936. It appears to be a watercolor and pencil drawing. It has a kind of classic simplicity to it; a basic pitcher form made extraordinary by the deep violet color. What are your thoughts about it? Curator: Focusing on the formal elements, the rendering employs a skillful control of watercolor. Note the smooth gradations within the purple itself, suggesting the rounded volume and transparency of the glass. The line work in pencil creates definition but avoids harshness. How would you describe the effect of that swirling line detail around the body? Editor: It adds visual interest, sort of complicating the otherwise simple, almost perfect form. Curator: Precisely. Consider how this subtle asymmetry enhances the work. The artist chose not to aim for photographic realism but used drawing to interpret the play of light and the essential character of the cruet. Notice how the light isn't evenly distributed but rather pools and shifts to add texture. Editor: That’s a really good point! I didn’t initially think much about the light itself. The forms are clearly delineated, and then enhanced by the rendering technique. It’s a good demonstration of simple yet elegant art. Curator: Indeed. Focusing on composition, brushstroke, and value, we reveal something quite compelling about seeing objects in a fresh way.