Pitcher c. 1941

Joseph Mitry made this drawing of a pitcher using graphite and watercolor. Look at how he’s approached the rendering of light and form. The process feels very systematic, almost like a technical drawing, yet there’s an undeniable charm in its simplicity. The material aspects of this drawing are fascinating. The graphite lines are precise, outlining the pitcher's shape with care, while the watercolor washes add depth and volume. Notice how the light plays on the glass, captured with delicate gradations of gray and silver. It’s a study in transparency, where the absence of color speaks volumes. The handle, with its subtle curves and shadows, shows a keen observation. I wonder if Mitry was looking at the work of Giorgio Morandi, who also elevated everyday objects to iconic status through his art? Ultimately, this pitcher remains open to interpretation, a testament to the enduring power of simple forms and the beauty of quiet observation.