Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 39) by Cornelis Bos

Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 39) 1540 - 1560

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drawing, graphic-art, ornament, print, etching

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drawing

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graphic-art

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aged paper

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ornament

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toned paper

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light pencil work

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print

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etching

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landscape

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mannerism

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personal sketchbook

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sketchbook art

Dimensions: Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm) Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm) Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm)

Copyright: Public Domain

This is an engraving on paper, made in the mid-16th century by Cornelis Bos. As a printmaker, Bos was part of a revolution in the way images were made and circulated. Engraving is an exacting process. The artist would have used a tool called a burin to manually carve lines into a metal plate. This plate is then inked and pressed onto paper, transferring the image. Look closely and you can see the fine lines that create the image, each one carefully incised. Prints like this one were relatively inexpensive to produce, yet they demanded highly skilled labor. The engraving process allowed for multiples to be made and distributed widely. They were crucial in disseminating new ideas about art and design across Europe. Bos's cartouches, with their blend of classical motifs and inventive flourishes, offered a template for artisans and designers, contributing to the visual culture of the Renaissance. The print medium broke down traditional hierarchies in the art world. Bos's designs could inspire architects, sculptors, and even makers of everyday objects, blurring the lines between fine art and craft.

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