Head of an African 1624 - 1670

Karel van Mander III painted this small oil on copper panel, titled 'Head of an African', sometime in the mid-17th century. Looking closely, you can see the incredible detail the artist achieved on such a small scale, using delicate brushwork and layers of translucent glazes. The smooth surface of the copper itself enhances the luminosity of the colors. The choice of copper as a support was not unusual at the time, especially for portraits. Its durability and fine grain allowed for meticulous rendering, a demonstration of the artist’s skill, which was highly valued. However, the economic implications of the painting should also be considered. The demand for exotic goods and enslaved labor, was closely intertwined with the production and consumption of luxury items, including art. In this light, ‘Head of an African’ isn’t just a portrait, it’s a material record of a complex and troubling history.