print, etching
16_19th-century
etching
landscape
etching
realism
Dimensions: 60 mm (height) x 99 mm (width) (plademål)
Louise Ravn-Hansen made this etching, Ved Roskilde Fjord, using a metal plate and acid around 1882. The process begins with coating a metal plate with a waxy, acid-resistant substance, through which the artist scratches an image. When dipped in acid, the exposed lines are eaten away, leaving an incised image. In this print, Ravn-Hansen captures a tranquil scene through a network of fine lines, creating textures that imply reflections on water and the ruggedness of the shore. The etched lines vary in depth and density, giving a sense of atmosphere to the sky and depth to the fjord. This landscape is more than just a pretty picture; it’s the result of a highly skilled craft. The subtle gradations achieved through etching highlight the artist’s mastery of a medium that requires patience and precision. Looking at the image, one can appreciate the amount of labor involved, and the skill required. It’s a reminder that even seemingly simple images can be deeply connected to histories of craft and artistic production, and not simply “art” as we traditionally think of it.
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