Gedeelte van gepleisterd plafond 1651 - 1654

Editor: Here we have Jean Lepautre's "Gedeelte van gepleisterd plafond," dating from 1651 to 1654, currently held in the Rijksmuseum. It's a stunning engraving, filled with such intricate detail! What do you make of the overt display of power? Curator: Indeed. Look at how Lepautre employs the visual language of Baroque excess. Consider, who was meant to be impressed by this display? The aristocracy? The rising merchant class aspiring to their status? This image isn't merely decorative; it’s a tool used to solidify a power structure by dazzling viewers into submission and it encourages them to admire the commissioners. How does the symbolism reinforce this dynamic? Editor: Well, you have muscular figures on either side, topped by figures like cherubs. There’s an implied dominance, wouldn’t you say? Curator: Absolutely! These figures, drawn from classical and Christian iconography, legitimized the commissioner’s authority by associating them with a lineage of power and divine right. It also presents a very masculine perspective; it excludes all those outside of its paradigm. Do you think Lepautre questions that dynamic? Editor: It's difficult to say, given his position. It's a powerful piece, though. Curator: Precisely. Recognizing the forces at play helps us question not only the artwork itself, but also the social dynamics it reflects. The careful observer begins to recognise it beyond face value. Editor: Definitely something to think about when considering the intention behind the piece, and to always question that intent. Curator: Exactly. Let's carry that approach forward.