Pine Tree c. 1842 - 1843

This is Pine Tree, a woodblock print by Utagawa Hiroshige. Working in 19th-century Japan, Hiroshige was one of the last great artists in the ukiyo-e tradition. The ukiyo-e style, which translates to ‘pictures of the floating world,’ often depicted scenes of everyday life, landscapes, and the natural world. During this era, the merchant class began to acquire significant wealth and influence, which was reflected in the art. Prints like these were not just art objects, but also commodities that circulated within a burgeoning consumer culture. The pine tree, a symbol of longevity and steadfastness, embodies a complex intersection of nature and culture. It's as much about the enduring qualities of nature, as it is about the cultural values projected onto it. In Hiroshige's print, the tree becomes a focal point, not just of aesthetic appreciation, but also of cultural identity and philosophical reflection. Through this print, we get a glimpse into a world where nature, commerce, and culture are deeply intertwined.