Georgia O'Keeffe by Alfred Stieglitz

Georgia O'Keeffe 1929

0:00
0:00

photography, gelatin-silver-print

# 

portrait

# 

self-portrait

# 

pictorialism

# 

photography

# 

historical photography

# 

single portrait

# 

gelatin-silver-print

# 

ashcan-school

# 

modernism

Dimensions: sheet (trimmed to image): 11.8 x 9.1 cm (4 5/8 x 3 9/16 in.) mount: 35.3 x 27.5 cm (13 7/8 x 10 13/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Here we see Alfred Stieglitz’s portrait of Georgia O’Keeffe, captured in 1929, a gelatin-silver print. Editor: It's striking. The somber tones and O'Keeffe's piercing gaze create an immediate feeling of intensity. Curator: Absolutely. Stieglitz was instrumental in promoting modern art in America, and this image reveals their complex personal and professional relationship. This portrait series, more generally, underscores the artist’s advocacy in making photography a considered and respected artform. Editor: Focusing on that artistic advocacy, it's fascinating to consider the material aspect—the gelatin silver print itself. Its mass producibility makes me think of how the image was circulated. To what extent did its dissemination and reprinting change the perception and value associated with the portrayed? Curator: That’s an important point. The proliferation of this photograph contributed greatly to the O’Keeffe persona and her position within the art world. The photo participated in crafting O'Keeffe’s image, controlling its reception within certain circles. Stieglitz managed her exhibitions and effectively controlled the market. Editor: Indeed. Note how her hands are positioned protectively across her chest, adorned with what seems to be a weighty, shining piece of jewelry. Curator: Likely silver, considering O’Keeffe’s affinity for the American Southwest, a region abundant in the raw material itself. That the cuff’s shiny character contrasts her mattified clothing, tells me that the object here is deployed to stand in as something… symbolic? Editor: Perhaps the metallic, hand-crafted jewelry represents O’Keeffe's independence or connection to the landscape she loved. And the hands…the labor, the artistic work manifest through a symbol worn visibly, rather than seen at work in an art-making process. It's a loaded gesture. Curator: It underscores how constructed, how carefully staged, this "natural" image of O’Keeffe truly is. It is really more like branding than portraiture! Editor: In the end, this image is testament to both Stieglitz’s vision and the construction of O’Keeffe’s artistic identity. Curator: Precisely. It's an image that invites endless questions about the artist, her craft, and the forces that shaped their individual paths to iconic status.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.