print, woodblock-print
portrait
asian-art
ukiyo-e
figuration
historical fashion
woodblock-print
watercolour illustration
Dimensions: height 206 mm, width 183 mm
Copyright: Rijks Museum: Open Domain
Editor: Here we have Utagawa Kunisada’s woodblock print, "Man with a Wrapped Sunshade over His Shoulder", dating back to 1836. There’s a theatrical quality to this character, almost like a Kabuki actor in costume. What elements strike you most about this Ukiyo-e print? Curator: Well, this print gives us a glimpse into the visual culture and entertainment of Edo-period Japan. Consider how Kabuki theatre served as a major public forum, reflecting and shaping societal values. This print wasn't just art; it was a form of publicity, an advertisement for a specific actor or performance. The clothing, the props - they all contribute to the persona. What do you make of his gaze and expression? Editor: It’s intense! Even stylized, there's a clear sense of drama, and I guess those bold colors contribute to it. The background, those light geometric shapes… are they symbolic, or merely decorative? Curator: The repeated pattern creates an interesting visual field, almost a stage setting. The publisher's seal, along with the artist's signature, demonstrate how collaborative and commercialized art production was at this time. Woodblock prints allowed for widespread dissemination of imagery, reinforcing certain stereotypes and cultural narratives. Do you see how his stance and elaborate headdress work to convey not just character, but also status and power? Editor: Definitely, it’s all very carefully constructed, especially to project power and authority. Looking at it that way, I’m starting to see how this seemingly simple image operates on multiple levels to shape perception. Curator: Exactly. Understanding its original social context really changes how we view it, from a pretty image to a fascinating cultural artifact. Editor: I see how understanding Ukiyo-e in its social and historical context adds a new dimension to my understanding and appreciation of Kunisada’s print. Curator: Precisely, examining this work has opened new layers of appreciating Ukiyo-e as more than aesthetic object.
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