The Protector by Paul Klee

The Protector 1926

0:00
0:00

Dimensions: support: 300 x 487 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: This is Paul Klee's work, simply titled "The Protector." Editor: It has this beautiful, almost unsettling simplicity—two figures tethered together, one seemingly monstrous, all in these delicate lines. Curator: Klee, who lived from 1879 to 1940, often explored themes of power dynamics and vulnerability, and that’s so clear here. The protector motif is rich, isn't it? Who protects whom and from what? The person leading appears fragile and also slightly menacing. Editor: Absolutely! And the so-called monster... its teeth are bared, but it's on a leash. There's a tension, a dance of control. I wonder, is it about societal restraints? Personal demons? Curator: Perhaps Klee is challenging us to question the nature of protection itself—is it always benevolent? Or can it be a form of control, even oppression? Editor: It really makes you think about who holds the power and how easily those roles can shift. I like that Klee doesn't give us easy answers. Curator: It invites us to reflect on our own relationships, our own internal struggles for dominance and submission. Editor: A simple drawing, but a lot to unpack. I'm going to be chewing on that for a while.

Show more

Comments

tate's Profile Picture
tate 14 days ago

http://www.tate.org.uk/art/artworks/klee-the-protector-t06794

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 14 days ago

A dog is fiercely defending a hapless-looking human figure, who looks more alarmed than reassured by his ‘protector’. Klee was fascinated by the relationship between man and beast as much as that between man and nature. In this work, Klee’s line creates dynamic, simple forms which are almost childlike. The artist Oskar Schlemmer wrote of Klee’s drawing, ‘With a minimum of line he can reveal all of his wisdom’. Gallery label, July 2007