Head with Blue Eyes by  John Davies

Head with Blue Eyes 1983 - 1984

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Dimensions: object: 1046 x 635 x 671 mm

Copyright: © John Davies, courtesy Marlborough Fine Art, London | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: John Davies' sculpture, "Head with Blue Eyes," presents us with a powerfully unsettling presence. Editor: The materiality is really striking. It looks like it's made from some kind of layered, textured composite. I wonder what process he used? Curator: The eyes, so pale against the textured surface of the face, evoke a sense of detachment, almost alien observation. There's a weight of unseen experience. Editor: You know, examining the apparent construction, it feels almost crudely assembled, drawing attention to the labor involved, rather than hiding the means of production. Curator: That raw, constructed feel amplifies the sense of vulnerability, contrasting with the stoic, almost classical, head shape. He is an everyman, but he is also marked. Editor: It makes me consider how Davies challenges traditional notions of sculpture by foregrounding process and material, inviting the viewer to consider art's connection to labor. Curator: Ultimately, it's a work that transcends simple portraiture, becoming a potent symbol of humanity's complex and often contradictory nature. Editor: It's a testament to how exploring materials and process reveals layers of meaning often hidden in more polished or traditional works.

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tate 3 days ago

http://www.tate.org.uk/art/artworks/davies-head-with-blue-eyes-t03907

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tate's Profile Picture
tate 3 days ago

This sculpture is one of three large heads which Davies made in 1983-4. Although similar, the personality and expression of each of these heads is different. Photographs of the artist's studio at that time show other small sculptures depicting men on ladders and ropes. The artist considers the large heads to have been an 'audience' for the 'human circus' suggested in the other works. Scale is an important aspect of Davies's work. He has added that the small figures always felt distant. In contrast, the large scale of the heads gave an impression of extreme proximity. As this work shows, enlarged scale also emphasises the physical presence of the subject. Gallery label, August 2004