Dimensions: object: 492 x 165 x 213 mm
Copyright: © The estate of Ivan Meštrovic | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have a bronze bust of Sir Thomas Beecham by Ivan Meštrović, held in the Tate collection. Editor: Immediately striking—a sense of restrained power, wouldn't you say? The cool, almost metallic finish gives him an aloof presence. Curator: Meštrović, born in Croatia, really had a knack for capturing the essence of his subjects. Look at the lines of the face. Editor: Yes, the formal structure is quite deliberate; the brow, the set of the jaw... all contributing to an air of authority. It's a study in how geometry communicates character. Curator: It almost feels like I could ask him what he thinks about modern music. I imagine he would say something witty, you know? Editor: Well, quite possibly! Though the cool bronze might also suggest a resistance to modern innovation, a clinging to classicism... Curator: Maybe, or maybe he's just pondering the best way to conduct it! Either way, it's a thought-provoking piece. Editor: Indeed. A solid example of how form and material create such complex, layered impressions.
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http://www.tate.org.uk/art/artworks/mestrovic-sir-thomas-beecham-bt-n03601
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Sir Thomas Beecham (1879-1961) was an orchestral conductor and operatic impresario. This bust was commissioned by the society hostess and patron Lady Cunard, who also commissioned one of herself. Mestrovic was a Croatian artist whose expressive sculptures, inspired by Auguste Rodin, gained an international reputation. This work was made in London during the First World War, after Mestrovic’s opposition to the Austro-Hungarian authorities forced him to flee his homeland. He later became an American citizen. Ivan Mestrovic was born in Vrpolje, Croatia in 1883. He died in South Bend, Indiana in 1962. Gallery label, August 2004