H. Catharina by Jacob Matham

H. Catharina 1602 - 1615

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print, engraving

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portrait

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facial expression drawing

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light pencil work

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ink drawing

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allegory

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baroque

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print

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pen sketch

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pencil sketch

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ink drawing experimentation

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pen-ink sketch

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line

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portrait drawing

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history-painting

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engraving

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sword

Dimensions: height 300 mm, width 207 mm

Copyright: Rijks Museum: Open Domain

Curator: The somber quality of this piece is arresting, isn’t it? A prevailing feeling of quiet strength… Editor: Indeed. This engraving, titled "H. Catharina," comes to us from the period between 1602 and 1615, attributed to Jacob Matham. We're fortunate to have it here from the Rijksmuseum's collection. Catharina is rendered through fine lines, creating a detailed portrayal that exemplifies Baroque sensibilities. Curator: Absolutely, you can see Matham really focusing on line work here to create tone and depth. Her regal pose, however, doesn’t obscure her history. St. Catherine, in some circles, embodies an intersection of faith and knowledge during times of oppression. This engraving acts almost like a historical document – showing a woman in power defying cultural constraints. Editor: I appreciate your interpretation. Looking more at the composition, the soft clouds in contrast with the sharp lines of the broken wheel suggest her strength prevailing over earthly struggles. And the putti, with their wreaths, almost appear to offer her celestial victory. Curator: Right, the wheel symbolizes her martyrdom. By centering this emblem beneath St. Catherine, Matham underscores her status as both a religious figure but also as a figure who stood against tyrannical powers. Do you see it speaking to broader struggles for equality of expression and identity, especially with contemporary parallels? Editor: Yes, of course, Matham is imbuing Catherine’s image with a divine presence. Though, I would posit that the texture of her robes and the curve of the clouds are just as integral in our experience. There’s a beautiful interplay between these formal elements which elevates it beyond just an ideological document. Curator: I see that, and I think that we both agree that the print does well as a reflection of identity, faith, and artistic mastery. I am personally inspired by its lasting resonance through both a philosophical lens, but also a deeply emotional register. Editor: I'm grateful that we were able to unravel just a few facets of Matham's work here today. The way that formal considerations create depth and narrative impact continues to be worthy of examination.

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