Tweede versierde stellage met toneel: de prins verjaagt Oorlog en Tweedracht, 1577 by Antoni van Leest

Tweede versierde stellage met toneel: de prins verjaagt Oorlog en Tweedracht, 1577 1577 - 1578

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engraving

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allegory

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figuration

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line

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history-painting

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engraving

Dimensions: height 117 mm, width 150 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have an engraving by Antoni van Leest from 1577, entitled "Tweede versierde stellage met toneel: de prins verjaagt Oorlog en Tweedracht". It seems to be an allegorical scene rendered with very precise lines. How do you interpret the artist’s message here? Curator: From a materialist perspective, the very act of creating this engraving involves a complex web of production. The paper, the ink, the tools, and the skilled labor of the engraver are all key elements. Think about the social context; engravings like this were often commissioned for political purposes, circulated widely to convey specific messages. What can you infer about the function of such depictions? Editor: It was clearly made for widespread reproduction, like a propaganda image. Was engraving a popular method at the time for conveying specific information to the masses? Curator: Exactly. The choice of engraving, a medium suited for mass production, is crucial. Consider who controlled these means of production – the printing presses, the distribution networks – and whose interests they served. And consider the contrast in the economics of this and a painted work, or even an etched one. Editor: So, it’s less about the specific artistic merit of the lines and more about how the engraving itself acted as a form of social currency? Curator: Precisely. It’s about understanding the work as a product of its time, shaped by the materials available, the means of production, and the social forces at play. The iconography may appeal to the sensibilities, but the method speaks more directly to social organization and change. Editor: I hadn’t considered the process as being so crucial. Thanks, that really makes me think differently about engravings from this period. Curator: My pleasure. Remember to question not just what is depicted but how it was made and how it circulated within society. It is a path to unlock greater knowledge of the historical context.

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