Adeodato Turchi 1800

Editor: This is Antonio Morghen's portrait of Adeodato Turchi. It's an engraving, and there's a formality that feels very much of its time. What sort of context should we consider when looking at this portrait? Curator: Given Turchi’s role as a preceptor, we must acknowledge the portrait’s function in upholding and circulating power dynamics. How does it reinforce his authority and the conservative values he would have imparted to his royal pupils? Editor: So the portrait isn't just a likeness, it's an assertion of social hierarchy. Curator: Precisely. And consider how the cross and inscription reinforce this message. The print would have served to reinforce an image of power. Perhaps we can think about the impact of these works on the distribution of social power. Editor: I hadn't considered the active role a portrait could play! Curator: These images actively participated in the social discourse of the time.